Quatrebras

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Military art prints of the Battle of Quatrebras showing the Black Watch and the Gloucester Regiment during the Battle of Quatre Bras and Wellington's retreat to reform before the Battle of Waterloo. Military art prints published by Cranston Fine Arts.

Napoleon's object was to divide the British and Prussian armies in order that he might fall upon them separately. How nearly he succeeded is told in the story of Ligny and Quatre Bras. At these points were the allies under Wellington and Blucher with an interval of 18 miles between. Napoleon determined that thus they should remain until he had annihilated them. Turning upon the Prussians at Ligny, he routed Blucher and forced him back. But Marshal Ney was not so successful with the British and this masterly stroke failed.  At the junction of the roads that lead to Brussels, on which the French were advancing, stood some scattered buildings. Here the battle of Quatre Bras was fought, for this humble farm was the strategic point on which rested the peace of Europe and the overthrow of Napoleon.  The struggle was long and desperate and had Ney attacked earlier and with vigour he might have made himself master of the situation. Trusting to his superiority in cavalry and artillery the French leader hurled his full force against the British battalions, each of which in turn bore the shock of an army.  So furious was the assault that the Cuirassiers rode upon the solid lines of bayonets with shouts of "Down with the English! No Quarter!". Picton's division coming on to the field in hot haste found the not very valorous Belgians retiring in confusion before the enemy. Without halt or pause the Black Watch dashed forward to the rescue, forcing a path through a field of rye that rose to the tops of their bonnets. The pursuit of the French was suddenly checked, but the gallant highlanders had pushed on too far, and mistaking the French Lancers for Brunswickers, were roughly handled, few escaping death or wounds. Rallying they formed in line with other regiments to receive and to repulse another charge of Cuirassiers who fell upon their shattered ranks with heavy horse and steel armour. The fight had lasted an hour before Wellington came upon the scene and ordered the Gordons to charge. Cameron, their leader, was mortally wounded. Nothing could resist the general advance, and Ney was unable to secure the position on which so much seemed to depend. But the advantage, dearly bought, had to be abandoned, for Blucher had fallen back and Wellington had no choice but to follow in order that the allies might no longer be exposed to separate attack. Waterloo was the immediate consequence of this retirement.  Text by William Maxwell 1902.

Quatre Bras (Black Watch at Bay) by William Barnes Wollen.

At the height of the Battle of Quatre Bras, 16th June 1815, the French Cavalry almost broke through Wellingtons positions. One Regiment of the 69th was decimated and lost its colour as it tried to form square. Another of the Black Watch received a terrible mauling by General Pires Lancers, as it formed square (depicted here) Reproduced by permission of the trustees of the Black Watch.

A restricted print run published in the late 1980s by permission of the Regimental Trustees of The Black Watch. Image size 30 inches x 20 inches (76cm x 51cm). Price £51.00


Postcard size 6 inches x 4 inches (15cm x 10cm) . Price £

ITEM CODE DHM0015

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Gale Force Eight by Montague Dawson.

Gale Force Eight by Montague Dawson.

Item Price : £600

Death of Colonel McCara (Blackwatch at Quatrebras) by Richard Simkin.

A restricted print run published in the late 1980s by permission of the Regimental Trustees of The Black Watch. Image size 14 inches x 10 inches (36cm x 25cm). Price £14.00


**A restricted print run published in the late 1980s by permission of the Regimental Trustees of The Black Watch. (Two copies reduced to clear) Image size 14 inches x 10 inches (36cm x 25cm). Price £6.00

ITEM CODE DHM0018

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The Last Battle, Berlin, 30th April 1945 by David Pentland. (E)

The Last Battle, Berlin, 30th April 1945 by David Pentland. (E)

Item Price : £120

A Special Breed by Gerald Coulson.

A Special Breed by Gerald Coulson.

Item Price : £110

Quatre Bras by Lady Elizabeth Butler.

28th Gloucester Regiment shown in square repelling the French cavalry.

Open edition print. Image size 30 inches x 14 inches (76cm x 35cm). Price £42.00


Open edition print. Special Promotion : This print is 30% off for a limited time only! Image size 14 inches x 6 inches (35cm x 16cm). Price £18.48


Small number of giclee canvas prints available. Size 40 inches x 26 inches (102cm x 66cm). Price £600.00


Small number of giclee canvas prints available. Size 36 inches x 22 inches (91cm x 56cm). Price £450.00


Antique black and white Photogravure Size 13 inches x 27 inches (33cm x 69cm). Price £800.00


Postcard size 6 inches x 4 inches (15cm x 10cm) Postcard size 6 inches x 4 inches (15cm x 10cm) . Price £


**Open edition print. (2 copies reduced to clear) Image size 30 inches x 14 inches (76cm x 35cm). Price £36.00

ITEM CODE VAR0311

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Buy With This For Only : £72

Buy With This For Only : £72

Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts.

Depicting Wellingtons withdrawal on 17th June 1815, the day before Waterloo, when the Prussian retreat to Wavre had left the British position dangerously exposed. There are a lot of similarities between this painting and Meissoniers Friedland 1807, but from a British perspective.

Open edition print. Image size 27 inches x 14 inches (69cm x 36cm). Price £51.00


**Open edition print. (2 copies reduced to clear) Image size 27 inches x 14 inches (69cm x 36cm). Price £36.00


Open edition print. Image size 12 inches x 6 inches (31cm x 15cm). Price £14.00


Limited edition of 200 giclee canvas prints. Image size 40 inches x 25 inches (102cm x 64cm). Price £590.00


Limited edition of 200 giclee canvas prints. Image size 30 inches x 16 inches (76cm x 41cm). Price £390.00

ITEM CODE DHM0293

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Wellington Leaving Quatre Bras for Waterloo by Mark Churms.

Wellington Leaving Quatre Bras for Waterloo by Mark Churms.

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Nemesis by Ivan Berryman.

Nemesis by Ivan Berryman.

Item Price : £95

Battle of Quatre Bras, 1815 by Henry Dupray. (P)

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Original antique print c.1890, mounted on card at the time. £75.00

Battle of Quatre Bras, 1815 by Henry Dupray. (P)

Original antique print c.1890, mounted on card at the time. Image size 12 inches x 8 inches (31m x 20cm). Price £75.00

ITEM CODE HD0036

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Rorkes Drift by Jason Askew.

Rorkes Drift by Jason Askew.

Item Price : £65

A Welcome Shore by Ivan Berryman.

A Welcome Shore by Ivan Berryman.

Item Price : £75

Square of the 42nd Charged by French Cuirassiers at Quatrebras by Harry Payne.

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Special edition of 25 reprints. £18.00
Original chromolithograph published 1893. £90.00

Square of the 42nd Charged by French Cuirassiers at Quatrebras by Harry Payne.

Printed on high quality 300gsm German etching stock. Only 25 copies of this superb quality reprint are available.

Special edition of 25 reprints. Paper and Image size 12 inches x 9 inches (31cm x 23cm). Price £18.00


Original chromolithograph published 1893. Image size 10 inches x 7 inches (25cm x 18cm). Price £90.00

ITEM CODE UN0510

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Into the Fray by Richard Taylor.

Into the Fray by Richard Taylor.

Item Price : £110

Time to Leave by Ivan Berryman.

Time to Leave by Ivan Berryman.

Item Price : £75

 

Quatre Bras (Black Watch at Bay) by William B Wollen   At the height of the Battle of Quatre Bras, 16th June 1815, the French Cavalry almost broke through Wellingtons positions. One Regiment of the 69th was decimated and lost its colour as it tried to form square. Another of the Black Watch received a terrible mauling by General Pires Lancers, as it formed square (depicted here). Reproduced by permission of the trustees of the Black Watch.

Death of Colonel McCara (Blackwatch at Quatrebras) by Richard Simkin 

Quatre Bras by Lady Butler  28th Gloucester Regiment shown in square repelling the French cavalry.

Wellingtons March From Quatre Bras to Waterloo by Ernest Crofts   Depicting Wellingtons withdrawal on 17th June 1815, the day before Waterloo, when the Prussian retreat to Wavre had left the British position dangerously exposed. There are a lot of similarities between this painting and Meissoniers Friedland 1807, but from a British perspective.

History of the First Royal Scots at Quatre Bras  The 3rd battalion, after taking part in the siege of Bayonne- the birthplace, by the way, of the bayonet - was the last of the British army of occupation to leave France as it had been the first to enter it; and on the escape of the Corsican ogre from Elbe, it was again one of the first that reached Belgium for the purpose of catching and finally caging him up. It formed part of Pack's Brigade in Picton's Division, and at Quatre Bras its square sustained and repulsed no fewer than seven successive charges of French cavalry, without ever flinching. "Though charged six or seven times", wrote an eye-witness, "by an infinite superiority of numbers, the French cavalry never for an instant made the slightest impression upon the square of the Royal Scots", and finally, after having been volleyed at by the enemy's musketeers, and slashed at by their furious squadrons of steel-clad horsemen, who could make not even the slightest impression on their serried, rock-fast ranks, they were formed into line and led forward to the charge by Picton himself, when, with the 28th regiment, they tumbled back the enemy in headlong rout, and enabled Wellington to maintain his mastery of the field.

(Excerpt from The Glories and Traditions of the British Army. (Naval and Army illustrated Feb 26th 1897). The First Royal Scots or Lothian Regiment by Chas Lowe)

 

 

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ARTIST
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Gerald Coulson has been painting professionally for over 30 years and has a reputation that is second to none. Entirely self taught, he developed his technique to such a high standard that his work was published as fine art prints, enabling him to begin a full time painting career in 1969. Since that time his work, covering many different subjects, has been published and marketed worldwide as both open and limited edition prints. Gerald has had many one-man shows both in the UK and the USA and his work has been extensively exhibited throughout the world. A recent one man show of his in the UK attracted more than 3000 people in two days. The Fine Art Trade Guild have placed him in the top ten best selling artists no less than fifteen times - three times at number one. Coulson's passion for aircraft stems from childhood. This passion led to an apprenticeship as an aircraft engineer after which he served in the RAF as a technician and with British Airways as an engineer at Heathrow. His knowledge of aircraft engineering, combined with his drawing ability, led to him becoming a Technical Illustrator of service manuals for Civil and Military aircraft. These experiences and technical background have allowed him an insight and intimate knowledge of the aircraft he paints. Along with a unique ability to capture these aircraft on canvas this naturally led to a painting career which he has developed to successfully cover a wide variety of subjects. Following a trip to the 1991 British Grand Prix his interest in Motor racing was fuelled. His ability to capture the technical detail and a talent for painting subjects at speed meant that this was a perfect natural progression alongside his aviation work and he is now also firmly established as one of the worlds leading motor racing artists. A Vice President and founder member of the Guild of Aviation Artists he is a four times winner of the Flight International Trophy for outstanding aviation painting. He qualified for his pilots licence in 1960 and is still actively flying today - mostly vintage aircraft, and can often be seen buzzing over the Fens of Cambridgeshire in a Tiger Moth. Whatever the subject he paints, whether aviation, landscape or portrait, his unique ability to capture the realism and 'mood'of the scene is unsurpassed, making him one of the most widely collected and highly regarded artists in the world today.

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