Fredericksburg

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Military books of the American Civil War, including the Battle of Fredericksburg 1862, in civil war book Fredericksburg 1862, Clear the Way by Carl Smith, available from the military print company.

In December 1862, things were still confused for the Union. Antietam had been a failure for both sides, and although the battle showed that the Union army could bring the Confederates to bay, it couldn't pin them in one place long enough to destroy them. McClellan was slow in pursuing the withdrawing Lee, not acting until October 1862. Still, Lee's invasion had been stalled and repulsed. In the west, General Grant was closing on Vicksburg, and the Mississippi was under Union control. Lincoln appointed General Burnside to command the Army of the Potomac, and it was the latter who planned to seize and secure the town of Fredericksburg, and then take the Confederate capital of Richmond. Carl Smith details the epic struggle that engulfed the Union side as it crossed the Rappahannock on 11 December, encountering stiff opposition from Lee's men.

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Book serial number Osprey 63. Price £12.99.

To order your copy: secure order form

Fredericksburg 1862, Clear the Way by Carl Smith

In December 1862, things were still confused for the Union. Antietam had been a failure for both sides, and although the battle showed that the Union army could bring the Confederates to bay, it couldn't pin them in one place long enough to destroy them. McClellan was slow in pursuing the withdrawing Lee, not acting until October 1862. Still, Lee's invasion had been stalled and repulsed. In the west, General Grant was closing on Vicksburg, and the Mississippi was under Union control. Lincoln appointed General Burnside to command the Army of the Potomac, and it was the latter who planned to seize and secure the town of Fredericksburg, and then take the Confederate capital of Richmond. Carl Smith details the epic struggle that engulfed the Union side as it crossed the Rappahannock on 11 December, encountering stiff opposition from Lee's men.

Post: UK- £2.50 (max post for multiple books £5.00).

For Europe £3.00 (each plus one charge of £3.00 recorded fee per total shipment)

Rest of World £6.00 (each plus one charge of £3.00 recorded fee per total shipment)

To see full range of American Civil War art print click here
The Osprey Campaign Series presents concise, authoritative accounts of the great conflicts of history. Each volume begins with an assessment of each commander's campaign strategy, then recounts the progress of the fighting, blow by blow. More than 90 illustrations, including maps, charts and colour plates accompany the critical stages of the campaign. Each volume concludes with a brief guide to the battlefield today, and detailed notes for wargamers.
 

 

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Bloodied but Unbeaten - Chris Collingwood (SAVE £2000) - Price : £13000

Major John Gilmour - Ivan Berryman (SAVE £1000) - Price : £2400

Last Man Out - Mark Churms (SAVE £2500) - Price : £3500

The Final Salvo - Anthony Saunders (SAVE £2000) - Price : £2800

The Battle of the Somme - Jason Askew (SAVE £2000) - Price : £4500

ARTIST
Featured Artist - Chris Collingwood



Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.

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