Capture of Candahar

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Military art prints of the Battle of Candahar (Kandahar). Historical art prints showing the 92nd Gordon Higlanders of Primrose's Division at the citadel of Kandahar. Military art prints published by Cranston Fine Arts.

Russian intrigue and the attack on a British mission led to the war of 1878. Having occupied Kandahar we made peace. But the murder of our envoy, Sir L Cavagnari, caused a renewal of the conflict, in which a strenuous part was played by Ayub Khan, a pretender to the throne. After defeating General Burrows at Maiwand, Ayub proceeded to invest Kandahar. This city, formerly the capital, is surrounded by mud walls 27 feet high, and 26 feet thick, and contains a citadel of great strength, defended by outer walls and earthworks. Into this labyrinth of walls within walls General Primrose retired his garrison, while Ayub Khan prepared for a siege. To rescue this handful of beleaguered men Lord Roberts had to traverse over 300 miles of rocks, ravines, and primeval jungle, peopled with fierce tribes who were ever ready to fall upon the infidel. So narrow were the defiles in some places that the flanking parties could talk with one another, and the risk of being surprised and overwhelmed in one of these passes was very great. But the cool judgment and prescience of the Commander-in-Chief and the courage and energy of his men brought them without disaster to the confines of the city. Opposed to this flying column of 7,500 British and Indian troops were 10,000 disciplined and brave men. Lord Roberts did not hesitate. On the day after his arrival the relieving force cleared the enclosures, carrying garden and building in gallant style. A sortie by the garrison enabled them to drive the Afghans from their main position in the mountain passes into an entrenched camp that commanded an open space. "Just one more charge to settle this business," cried Major G Stewart White, and Highlanders and Ghoorkhas swept onward with a cheer, until their bayonets flashed death among the dark ranks of the enemy. The batteries moved forward and the camp of the besiegers was at the mercy of Lord Roberts. The enemy's guns were captured and their leaders put to flight, while General Gough and his cavalry pursued the scattered yet stubborn foe. Text by William Maxwell 1902. 

92nd Highlanders at the Battle of Kandahar by Richard Caton Woodville.

The painting depicts the 92nd Highlanders (Gordon Highlanders) routing Ayub Khan tribesmen, on 31st August 1880, who had earlier on 26th July beaten the British at the battle of Maiwand and was now besieging the remainder of Primroses division in the citadel of Kandahar. Roberts with a force of 10,000 men (Gordon Highlanders, 60th Rifles, 72nd Highlanders, Sixth Gurka and Punjabi Infantry) marched out of Kabul to relieve Kandahar which was 300 miles away. The epic Battle of Kandahar made Roberts one of the great Victorian military heroes.

Open edition print. Image size 30 inches x 19 inches (76cm x 48cm). Price £51.00


Open edition print. Image size 24 inches x 15 inches (61cm x 38cm). Price £43.00


Open edition print. Image size 12 inches x 9 inches (31cm x 23cm). Price £14.00


Limited edition of 200 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £500.00


Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £390.00

ITEM CODE DHM0245

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Original antique print c.1890, mounted on card at the time. £75.00

Kandahar, 1879 by Henry Dupray. (P)

Original antique print c.1890, mounted on card at the time. Image size 12 inches x 8 inches (31cm x 20cm). Price £75.00

ITEM CODE HD0023

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Lord Roberts on the March to Kandahar by Howard Davie (P)

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Antique lithograph published 1915. £30.00

Lord Roberts on the March to Kandahar by Howard Davie (P)

Antique lithograph published 1915. Paper size 9 inches x 6.5 inches (23cm x 17cm). Price £30.00

ITEM CODE ANT0106

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92nd Highlanders at the Battle of Kandahar by Caton Woodville  The painting depicts the 92nd Highlanders (Gordon Highlanders) routing Ayub Khan tribesmen, on 31st August 1880, who had earlier on 26th July beaten the British at the battle of Maiwand and was now besieging the remainder of Primrose's division in the citadel of Kandahar. Roberts with a force of 10,000 men (Gordon Highlanders, 60th Rifles, 72nd Highlanders, Sixth Gurka and Punjabi Infantry) marched out of Kabul to relieve Kandahar which was 300 miles away. The epic Battle of Kandahar made Roberts one of the great Victorian military heroes.   Battle of Kandahar during the second Afghan war 1880. The Afghan amir Shere Ali was very hostile to the British and this was the start of the second afghan war. After a British victory in 1878. General Frederick Roberts marched from India to occupy Kabul, the Afghan capital. on October 7th 1879. The Amir Shere Ali died and was replaced by his Nephew Abd-er-Rahman Khan.  But a revolt by the late King's son Ayub Khan and his  attack on a small british force at Maiwand. lead to General Roberts to march 313 Miles in just 22 days to reach Ayub Khan at Kandahar. On the 1st September The British Force destroyed the rebel army, inflicting 2,000 casualties.  The British after this victory left Afghanistan under the control of Abd-er-Rahman Khan
 

 

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EDITIONS

Original Drawing - Wounded Eagle by Ivan Berryman Price : £380

Original Drawing - JG52, Summer 1940 by Ivan Berryman Price : £600

Original Drawing - One on the Run by Ivan Berryman Price : £340

Original Drawing - Straggler's End by Ivan Berryman Price : £380

ARTIST
Featured Artist - Ivan Berryman



Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception.

Original Pilot Signed Battle of Britain Pencil Drawings



A selection of great value Battle of Britain aviation drawings, signed by some of the pilots who flew in the battle 70 years ago.

These superb unique pieces of artwork have been signed by Hurricance, Spitfire and Me109 pilots from both sides of the Battle of Britain :

Wounded Eagle is signed by Group Captain Byron Duckenfield

JG52 - Summer 1940 is signed by General Gunther Rall and also features the matted original signatures of Oberst Erich Hartmann and General Johannes Steinhoff

One on the Run is signed by both Group Captain Byron Duckenfield and Flight Lieutenant Roy Daines

Straggler's End is signed by Group Captain Byron Duckenfield


Roy Daines signs one of the original pencil drawings.

We have selected a few of the best of these drawings to display here, but there are many more similar signed and unsigned drawings on the pencil drawing pages of artists David Pentland and Ivan Berryman

DETAIL IMAGES





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