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Military art prints of the Battle of Blenheim by leading military artists, published by Cranston Fine Arts, the military print company.

Blenheim was one of the few decisive battles of the world, and must be studied in conjunction with its international and political history if its effect is to be understood. Europe, menaced by the aggressive power of Louis XIV, banded itself in 1701 into an alliance headed by England, Holland and the Austrian Emperor. When the hour came to strike the fateful blow it was an English soldier whose brain conceived, and whose skill and resolution achieved, the ultimate victory. To John Churchill, Duke of Marlborough, "who never fought a battle that he did not win, and never besieged a place that he did not take," the nation owes some of its proudest traditions, and the British Army its brightest laurels. The operations which preceded the great struggle were cast in heroic mould. Central Europe was a cockpit. Many nationalities were involved. The Moselle, Danube, Rhine and Inn were lines of strategical importance. With consummate enterprise, Marlborough centred the issue at a point of his own choosing. Marching rapidly, yet with good order, from Flanders to the Danube, he cleverly deluded a part of the hostile force until he found himself near the village of Blenheim, on the left bank of the Danube, at the head of 56,000 Allies, with 52 guns, opposed to about 60,000 of the Gallo-Bavarian Army, with 61 pieces of artillery. Despite the parity of numbers the situation was critical, for the Allies were obliged to attack, the French troops were proved veterans, defeat meant disaster to Europe. Marlborough had complete confidence in his men, and his confidence was well placed. Advancing through a thick morning haze, the Allies, their left and centre under Marlborough, the right under the gallant Prince Eugene, came upon Marshal Tallard almost before he could turn his guns upon them. Difficult ground hindered the deployment of the right, but at length the assault on Blenheim was made. This was repulsed, and, as the day wore on, the fortune of the Allies was in constant jeopardy. Soon after 5 o'clock Marlborough brought into line 8,000 horsemen, supported by guns and infantry. The final struggle was sharp but decisive. The French fired and fought but the line advanced; the fire slackened and the line charged. The French horsemen, "discharging their carbines at an idle distance," spurred from the field, their infantry was ridden down, and Blenheim was won. Voltaire states that of the conquerors about 5,000 were killed and 8,000 wounded, and that the French army was almost entirely destroyed.  Text by William Maxwell 1902.

The Battle of Blenheim by John Wootton.

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Open edition print. £43.00
**Open edition print. (Two copies reduced to clear) £30.00

The Battle of Blenheim by John Wootton.

The destruction of the Armada had preserved the life of Britain, The charge at Blenheim opened to her the gateways of the modern world, So wrote Sir Winston Churchill, the descendant of Marlborough. the battle fought near the Danube by the village of Blenheim in 1704. Between Marlboroughs Allied Army and the French Forces.

Open edition print. Image size 23 inches x 15 inches (58cm x 38cm). Price £43.00


**Open edition print. (Two copies reduced to clear) Image size 23 inches x 15 inches (58cm x 38cm). Price £30.00

ITEM CODE DHM0160

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Marlborough Signing Dispatches After the Battle of Blenheim by Robert Hillingford.

Marlborough Signing Dispatches After the Battle of Blenheim by Robert Hillingford.

Buy With This For Only : £75

Into the Throne Room of God by William S Phillips.

Into the Throne Room of God by William S Phillips.

Item Price : £470

Marlborough Signing Dispatches After the Battle of Blenheim by Robert Hillingford.

Open edition print. Image size 30 inches x 20 inches (76cm x 51cm). Price £51.00


Open edition print. Image size 23 inches x 15 inches (58cm x 38cm). Price £43.00


Open edition print. Special Promotion : This print is 30% off for a limited time only! Image size 12 inches x 8 inches (31cm x 20cm). Price £10.92


Limited edition of 200 giclee canvas prints. Image size 40 inches x 30 inches (102cm x 76cm). Price £590.00


Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £390.00


Limited edition of 200 gicle canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £500.00

ITEM CODE DHM0321

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The Battle of Blenheim by John Wootton.

The Battle of Blenheim by John Wootton.

Buy With This For Only : £75

Forestside by David Dipnall.

Forestside by David Dipnall.

Item Price : £52

The Outpost (Dragoon c 1700) by Ernest Crofts.

Possibly depicting Royal Irish Dragoons in the early 1700s.

Open edition print. Image size 16 inches x 24 inches (41cm x 61cm). Price £43.00


Open edition print. Image size 8 inches x 12 inches (20cm x 31cm). Price £14.00


**Open edition print. (Three copies reduced to clear) Image size 16 inches x 24 inches (41cm x 61cm). Price £30.00


**Open edition print. (One copy reduced to clear) Image size 8 inches x 12 inches (20cm x 31cm). Price £6.00

ITEM CODE DHM0493

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Wallenstein, A Scene From the Thirty Years War by Ernest Crofts

Wallenstein, A Scene From the Thirty Years War by Ernest Crofts

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Gale Force Eight by Montague Dawson.

Gale Force Eight by Montague Dawson.

Item Price : £600

An Equestrian Portrait of Louis XIV by a follower of Adam van der Meulen. (GL)

Limited edition of 200 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £500.00


Limited edition of 200 giclee canvas prints. Size 30 inches x 20 inches (76cm x 51cm). Price £390.00

ITEM CODE GIJL2927

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Freedom Fighters by Simon Smith. (B)

Freedom Fighters by Simon Smith. (B)

Item Price : £160

Scramble by David Pentland. (P)

Scramble by David Pentland. (P)

Item Price : £410

Marlborough Leading the Attack, Battle of Blenheim by Harry Payne.

Open edition print. Image size 8 inches x 12 inches (20cm x 31cm). Price £14.00


Original chromolithograph plate published by Raphael Tuck and Sons, 1915.Part of the Glorious Battles. Plate image size 7.5 inches x 5.5 inches (19cm x 14cm), paper size 10 inches x 7 inches (25cm x 18cm). Price £58.00

ITEM CODE VAR0608

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The Fledgling by Ivan Berryman. (E)

The Fledgling by Ivan Berryman. (E)

Item Price : £115

Gale Force Eight by Montague Dawson.

Gale Force Eight by Montague Dawson.

Item Price : £600

Battle of Malplaquet, 1709 by Henry Dupray

Restricted edition of 200 prints. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


Original antique print c.1890 mounted on card at the time. Image size 12 inches x 8 inches (31cm x 20cm) Some surface scratches.. Price £75.00

ITEM CODE HD0002

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Gale Force Eight by Montague Dawson.

Gale Force Eight by Montague Dawson.

Item Price : £600

High Patrol by Ivan Berryman. (SM)

High Patrol by Ivan Berryman. (SM)

Item Price : £12

Battle of Ramillies, 1706 by Henry Dupray.

Restricted edition of 200 prints. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


Original antique print c.1890 mounted on card at the time. Some surface scratches. Image size 12 inches x 8 inches (31cm x 20cm). Price £75.00

ITEM CODE HD0003

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A Welcome Shore by Ivan Berryman.

A Welcome Shore by Ivan Berryman.

Item Price : £75

A Day for Heroes by Ivan Berryman.

A Day for Heroes by Ivan Berryman.

Item Price : £145

Battle of Blenheim, 1704 by Henry Dupray.

Restricted edition of 200 prints. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


Original antique print c.1890, mounted on card at the time. Image size 12 inches x 8 inches (31cm x 20cm). Price £75.00

ITEM CODE HD0008

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Anton Hafner by Ivan Berryman.

Anton Hafner by Ivan Berryman.

Item Price : £140

A Day for Heroes by Ivan Berryman.

A Day for Heroes by Ivan Berryman.

Item Price : £145

 

The Battle of Blenheim by John Wootton  The destruction of the Armada had preserved the life of Britain, The charge at Blenheim opened to her the gateways of the modern world, So wrote Sir Winston Churchill, the descendant of Marlborough. the battle fought near the Danube by the village of Blenheim in 1704. Between Marlboroughs Allied Army and the French Forces.

 Marlborough Signing Dispatches After the Battle of Blenheim by Robert Hillingford

An Equestrian Portrait of Louis XIV by a follower of Adam van der Meulen

Portrait of Louis XIV on horseback, probably at the battle of Fleurus during the war of the Grand Alliance or major battle during the war of the Spanish Succession

War of Spanish Succession 1701-1714
1701  Chiari
1702  Cremona
1702  Luzzara
1702  Vigo Bay
1703  Höchstädt
1704  Donauwörth
1704  Gibraltar
1704  Blenheim
1704  Málaga
1705  Cassano d'Adda
1705  Barcelona
1706  Ramillies
1706  Turin
1707  Almansa
1707  Stollhofen
1707  Toulon
1708  Oudenarde
1708  Lille
1709  Tournai
1709  Malplaquet
1710  Brihuega
1712  Denain
The Battle of Ramillies During the two years that followed Blenheim, Marlborough was the soul of the Alliance. His great persuasive power and personal charm were as much in requisition to soothe the apprehensions and susceptibilities of his comrades in the Netherlands, Vienna and Berlin, as were his military gifts to teach Louis XVI that at length he had met his match. In April, 1706, events were in train for a second staggering blow at French power. Marlborough was at the Hague contemplating a transfer of the theatre of war to Italy, partly from disgust of the timidity of the Dutch policy, and partly because he wished to join hands with Prince Eugene, the one colleague who had proved himself worthy of confidence. Circumstance, however, compelled him to remain in the Netherlands, where the French, under Villeroi, were entrenched in their camp behind the Dyle, and the campaign offered but slight prospect of decisive result. By a bold stroke, Marlborough forced an issue.  A threat to besiege Namur brought Villeroi into the open in its defence. At the head of the renowned household troops of France he took up his position on 23rd May on Mont St Andre, a part of the highest ground in Brabant. He adopted a crescent formation, the tips of the half-moon advancing towards the Allies. This gave Marlborough, who lay facing the centre, the supreme advantage of being able to strike where he chose before the enemy could reinforce against him. Part of the ground on the French right was and eminence called the "Tomb of Ottomond", which commanded the whole field. This was the key of the position. The opposing forces each numbered about 60,000 men. The issue lay with superior generalship and valour. Marlborough, whose objective was the "Tomb of Ottomond", made a feigned attack on the enemy's left, which Villeroi took seriously, only to realise, too late, the true intentions of the Allies. Nevertheless a sturdy fight was made for the retention of the Tomb. It was held by the French household cavalry, in whose ranks fought scores of young French nobles, who set fame before life. These beat off the attack of the Dutch horse, and Marlborough had to hasten up with fresh squadrons. In the turmoil he was surrounded , thrown from his charger, and nearly captured, but, taking taking the horse of his aide-de-camp, he renewed the charge with such vigour that the enemy gave way and the height was captured. The success was rapidly followed up in other parts of the field, and three and a half hours after the first encounter the French were in full flight, abandoning their baggage and most of their guns. In killed, wounded and prisoners, they lost 15,000 men, whilst the Allies had over 3,000 casualties.  Text by William Maxwell 1902.
Battle of Malplaquet  It was under very changed conditions from Blenheim when Marlborough met the troops of Louis at Malplaquet. France was well-nigh worn out by the prolonged war. Famine within her borders, military disaster without, had caused her imperious ruler to look anxiously for peace. To this end his craftiest Ministers sought by offers of individual advantage to detach the Allies from the pact. Their efforts failed. The Alliance held fast, and demanded such humiliating conditions that Louis was obliged to renew the struggle. On the other hand, the political situation in England was such that Marlborough felt the necessity of achieving some victory that would justify the continuance of the war. Had he consulted only himself, he would have welcomed a cessation of hostilities, but he knew that France must be further stricken if the peace was to be enduring. In September, 1709, the capitulation of Douai to the Allies, and the approaching investment of Mons, brought the hostile armies closer together. The French, to the number of 110,000 were under the courageous and capable Villars, with whom was Marshal Boufflers, the brave defender of Lille. Marlborough commanded much the same strength of various nationalities with his tried comrade and friend Prince Eugene. Villars encamped in a strong position between two woods near the little village of Malplaquet. The Allies were drawn up opposite to him. For two nights and a day, the French general was allowed to strengthen his position by digging trenches and clearing his front, till early on the morning of the 11th September the Allied troops were led against him, the soldiers expressing their contempt at being "obliged to fight against moles". Villars believed in his trenches and filled them with infantry, posting his cavalry in the rear. The disposition of the Allies was a frontal attack, with a threat to enfilade the enemy's left. Led by Prince Eugene and Marlborough the line advanced against the French left and centre. Several times it was beaten back, but the attack was fiercely renewed. Half an hour after the battle had opened the young Prince of Orange, acting without orders, flung himself against the right of the trenches, only to be repulsed with a loss of 2,000 men. Although the Allies had not made much headway their onslaught on the flanks had withdrawn all the infantry from the centre, leaving the French cavalry exposed. Instantly Marlborough turned his cannon on the horsemen, following up the fire with a cavalry charge headed by the Prince of Auvergne. The charge had to be driven home no less than four times before the French gave way, but in the end the line was pierced. The French retreat was orderly, the Allies being too exhausted for pursuit. The cost to the victors was 18,000 killed and wounded; to the vanquished 14,000. Writing of the battle many years afterwards, Bolingbroke said: " A deluge of blood was spilt to dislodge them, for we did no more at Malplaquet."  Text by William Maxwell 1902.

The First Guards in the great campaigns of Marlborough, from 1702 to 1711.   While a detachment took part in the expeditions to Cadiz and Vigo, the regiment itself fought in the splendid operation in the Low Countries in 1702 and 1703. Marlborough himself became its Colonel in 1704. The fine strategic march on the Danube, that most brilliant conception of the great captain's genius, brought the First Guards with the forces, to Danauwerth and to the foot of the lofty fortified heights of Schellenberg, where the French and Bavarians, under D'Arco, were posted in a position of colossal strength. Fifty grenadiers of the First Guards under Captain Mordaunt, an impetuous son of a famous father, the great Earl of Peterborough celebrated in our military annuls, led the way as a forlorn hope, and in the terrific fire of grape, 40 of them fell dead or wounded. A withering hail met the advancing Guards, with Orkney's and Ingoldsby's regiments, and D'Arco, perceiving that the line wavered ordered a sally. The First Guards stood like a rock to receive the downward charge for a few moments almost alone, but help coming, a furious onslaught was made, and the enemy fled to his lines. Happily some Baden troops made a diversion, and very soon the Englishmen, with an impetuous rush, poured over the entrenchments and drove the enemy in panic from his works. At the decisive victory at Blenheim 6 weeks later (August 13th) the Guards again fought with the greatest intrepidity in the attack on the village palisades. Dormer, in command was killed; Mordaunt lost an arm; others were seriously wounded. (Excerpt from the Navy and Army Gazette November 20th 1896 by Leyland)

The Scots Greys during the Great Campaigns of Marlborough  The attack is delivered, the charge sounded, and away go the stormers, the cavalry moving up in support. The troopers, mounted on their strongly built grey horses, swing slowly along. Orders are suddenly shouted. The regiment dismounts, musket in hand, and with a cheer the gallant Greys, led by their colonel Lord John Hay, charge the French entrenchments. They leap over, an irresistible living flood; the enemy's ranks waver and finally break; they fly in every direction. The Irish Dragoons, who have been brigaded with the Scots, gallop off in pursuit. The Greys hastily remount and dash away to participate in the general rout. The day is decided, and the heights of Schellenberg are won.

After this brilliant victory the army went through several manoeuvres and marches which eventually brought on the decisive battle of Blenheim, when 24 battalions of French infantry and 12 squadrons of cavalry were captured. The village of Blenheim covered the right of the enemy's line, and the Greys were ordered to attack and drive out the enemy. Meanwhile the action became general along the whole line. The French and Bavarian allies were driven from their position and routed with immense slaughter. Marshal Tallard, the chief in command, was taken prisoner. The Greys and their comrades in arms dashed at the village, stormed position after position, charged and scattered its defenders. It was a glorious sight, one eminently calculated to stir the blood to madness and to nerve the army of the weakest. 8,000 allied cavalry, in tow long lines, charged the opposing horsemen, 10,000 strong. The artillery played so fiercely on the advance that they were at first forced to retire. Then the enemy's gun fire slackened. Marlborough put himself at the head of the Cavalry and with irresistible vehemence the line dashed forward. The French horsemen wavered and then fled pell-mell. The action was long and arduous, but British  pluck and dash prevailed. The enemy gave way, then rallied and attempted to force the cordon which was being drawn tightly round them. Each successive attempt was repulsed, until surrounded on every side they made on last desperate wild cat rush to secure their retreat. They took advantage of one loophole. But in vain! The Greys were too quick for them. They charged out, swooped down upon them and headed them off. The French were caged like rats in a trap, and sullenly threw down their arms. It was estimated at the time that our loss was about 12,000 killed and wounded, while that of the enemy was at least 40,000.

Although the regiment took a very prominent part in the struggle, they had wonderful luck, and lost not a single officer or man. By this great victory the French and Bavarian Forces were hopelessly shattered. The prestige of the former received such a tremendous shock that it never once recovered during the remainder of the war. The great English General very nearly met his death at Blenheim. A cannonball smashed into the ground so near him that he was quite covered with earth and dust, greatly to the consternation of his staff. By this wonderfully narrow escape Marlborough became convinced that it was an evident sign that a special Providence was taking care of him on that eventful day.

In consequence of his brilliant victory he was made a Prince of the Roman Empire, which caused him to assume quite a considerable amount of state. He used to eat his meals alone, and made his son-in-law, the Duke of Montague, stand in attendance upon him. But this exhibition of personal vanity occurred only when he was abroad, where he was invariably recognised and saluted by the title of Highness.

After the battle the regiment was marched into Holland to winter quarters. Before doing so, however, the King of the Romans visited the English Camp, the Greys with Marlborough at their head, formed a guard of honour to receive him.  Excerpt from the Navy and Army Illustrated January 15th 1897 by G F Bacon

History of the First Royal Scots at Donauwerth

At the Schellenberg, commanding Donauwerth, which preceded Blenheim, the Royals, at a frightful cost of life, helped to storm the entrenchments of the French and Bavarians on a hill top; and when, in spite of all their desperate efforts to oust the foe from his terribly strong position, the scales of battle seemed to be against them, the Scots Greys impatiently flung themselves from their saddles, and stormed up the hillside to the succour of their hard-pressed countrymen, with whom they presently shook hands on the abandoned ramparts of the enemy. Curiously enough the Schellenberg had once before (in 1632) been similarly stormed by "Hepburn's Scots", who were the lineal ancestors, i.e, ante-cessores, of the Royals.

At Ramillies, which followed two years after Blenheim, the Royals again contributed to a most complete and crushing victory over their old friends the French, under Marshal Villeroi, an immense number of prisoners with guns, standards, and colours being captured. The regiment was posted on the right, and with several other British, Dutch and German corps was employed in making a feint on the French left, while Marlborough himself at the head of his shining cavalry, made a dash for and crumpled up the centre and right. The Royals were passive and impatient spectators of the fight for about an hour; but at length their time came, and with a cheer they dashed forward on the foe. The heroes of the Schellenberg and Blenheim fought like men resolved to die rather than lose their reputation; and the French, Spanish and Bavarians were speedily overthrown and driven headlong from the field with a terrible slaughter.

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Pilot Signed Original Drawing - 501 Sqn Scramble. Price : £380

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ARTIST
Featured Artist - Ivan Berryman



Ivan Berryman - Battle of Britain Art

Artist Ivan Berryman has been producing many pencil drawings depicting scenes from the Battle of Britain. Each of these is signed by one of the pilots who was actually present at the battle, and is often inspired by the events they took part in themselves. Special signed print editions have also been created from existing full colour print editions, with some featuring multiple pilot signatures. You can find all of Ivan's Battle of Britain artwork on his website - www.ivanberryman.com, or see a full list of pencil drawings - updated regularly, in our dedicated section of pencil drawings.

When you go to a product page for an item in our shop, click on the names of the pilots where they are linked in the text for an item to see a profile page for that pilot. Often we include photos of signing sessions along with details of their flying career, and a full list of all items signed by the pilot.

Pilot Signed Battle of Britain Prints and Original Pencil Drawings

Commemorating the 70th Anniversary of the Battle of Britain

We are busy building up a portfolio of many many original pencil drawings which depict events from the Battle of Britain, the famous air battle won by 'the Few' in the summer of 1940. The British and Commonwealth pilots defended the air above Britain and the surrounding seaways from the might of the German Luftwaffe. Greatly outnumbered, the bravery of these young pilots saved the country from invasion, and let Britain survive to go on to defeat Germany. Without that first crucial victory, the outcome of the war could have been so very different. We have been busy arranging signing sessions with the few pilots who fought in that great battle who remain with us to this day. Our newly commissioned pencil drawings are often based on the descriptions of the battle by these great men, and are authenticated by their signatures. We have also had several editions of existing prints signed in full, or have signatures added to parts of existing editions. We have also incoporated signatures of some of the German pilots who also took part in the battle, some of whom went on to become top scoring aces of the war. See our Original Pencil Drawings Section - particularly the section of artists David Pentland and Ivan Berryman. Also, see our New Signature Editions section to see all of our newly signed editions.

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