Battle of Ulundi

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Zulu War Battle of Ulundi, one of the major battles in the Zulu war, military art prints by Cranston Fine Arts. Battle of Ulundi 4th July 1879.

Battle of Ulundi  July 4th 1879.  Six months after the initial Zulu uprising The British under Lord Chjelmsford and Sir Garnet Wolseley marched a force of 5,000 men to the Kraal of the Zuklu Chief Cetawayo at Ulundi Cetawayo was guarded by his impis regiments a total of 20,000 warriors.  The British Force struck on July 4th and a fierce fight ensued. a total of 1500 Zulu warriors were killed, compared to the light casualties of the British of 15 killed and 78 wounded.  Many of the Zulu losses were caused while charging the British Square and also by the 17th Lancers who pursued them after there attacks failed. Chief Cetawayo was captured on August 28th., ending the Zulu war.

Battle of Ulundi by Fayel   The two forces meet on 4th July 1879 at Ulundi. Several thousand Zulus surrounded the British infantry which formed a square with the 17th Lancers at its centre. When the Zulus attack faltered the 17th Lancers were ordered to charge. Reproduced by Permission of the 17th/21st Lancers.  

Battle of Ulundi by Brian Palmer  After coming out of the British Square The 17th lancers charge by the 58th regiment . Battle of Ulundi, 1879 by Henry Dupray

Ulundi 4th July 1879 - Charge of the 17th Lancers by Jason Askew

Battle of Ulundi by Brian Palmer.

After coming out of the British Square The 17th lancers charge by the 58th regiment . 

Signed limited edition of 1150 prints. Image size 24 inches x 15 inches (61cm x 38cm). Price £95.00


Limited edition of 50 artist proofs. Image size 24 inches x 15 inches (61cm x 38cm). Price £135.00


Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00


Original painting by Brian Palmer. Image size 30 inches x 20 inches (76cm x 51cm). Price £2200.00


Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00

ITEM CODE DHM1244

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Battle of Ulundi by Fayel

The two forces meet on 4th July 1879 at Ulundi. Several thousand Zulus surrounded the British infantry which formed a square with the 17th Lancers at its centre. When the Zulus attack faltered the 17th Lancers were ordered to charge. Reproduced by Permission of the 17th/21st Lancers.

Open edition print. Image size 21 inches x 14 inches (53cm x 36cm). Price £34.00


Limited edition of 200 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £500.00


Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £390.00

ITEM CODE DHM0060

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Battle of Ulundi by Brian Palmer.

Battle of Ulundi by Brian Palmer.

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Ulundi 4th July 1879 - Charge of the 17th Lancers by Jason Askew.

Ulundi 4th July 1879 - Charge of the 17th Lancers by Jason Askew.

Buy With This For Only : £62

Battle of Ulundi, 1879 by Henry Dupray

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some surface scratches. £75.00

Battle of Ulundi, 1879 by Henry Dupray

some surface scratches. Image size 8 inches x 12 inches (20cm x 31cm). Price £75.00

Antique print c.1890 mounted on thick card at the time. 

ITEM CODE HD0033

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The Sentinel by Ivan Berryman.

Item Price : £75

Messerschmitt Me262B-1a/U1 by Ivan Berryman.

Messerschmitt Me262B-1a/U1 by Ivan Berryman.

Item Price : £15

Ulundi 4th July 1879 - Charge of the 17th Lancers by Jason Askew.

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Signed open edition.  Free Shipping £56.00

Ulundi 4th July 1879 - Charge of the 17th Lancers by Jason Askew.

Less than 8 copies now available.

Signed open edition. Image size 24 inches x 14 inches (61cm x 36cm). Price £56.00

ITEM CODE JA0006

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Last One Home by Ivan Berryman. (B)

Last One Home by Ivan Berryman. (B)

Item Price : £250

The Death or Glory Boys by Bud Bradshaw.

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Signed limited edition of 950 prints. £200.00
Limited edition of 50 artist proofs. £280.00

The Death or Glory Boys by Bud Bradshaw.

We have managed to obtain the last 30 art prints in this sold out edition.

Signed limited edition of 950 prints. Image size 27.5 inches x 25 inches (70cm x 64cm). Price £200.00


Limited edition of 50 artist proofs. Image size 27.5 inches x 25 inches (70cm x 64cm). Price £280.00

ITEM CODE AX0027

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Last of the 24th by Bud Bradshaw.

Last of the 24th by Bud Bradshaw.

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Melvills Ride to Glory by Bud Bradshaw.

Melvills Ride to Glory by Bud Bradshaw.

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The Death or Glory Boys by Bud Bradshaw

This Limited edition of 950 published around 1997  

One secondary market print being sold on behalf of a major collector's estate. No. 11/950  Image size 70cm x 64 cm

Price £220   Order code  AX27

Sold to buyer in USA

Battle of Ulundi, 1879   Cetewayo, installed in power by the British, immediately became fired with the ambition of conquest. The Zulus, over whom he ruled, are a martial race, and he had no difficulty in making them a nation of soldiers. Their raids into Natal rendered it necessary to organise a punitive expedition, and three British columns marched into Zululand by different routes. At Isandhlwana, on January 22nd, the British camp was surprised and attacked by 15,000 warriors, and we suffered heavily. The heroic defence of Rorke's Drift was on the same day, and on the 24th, Sir Evelyn Wood won a victory at Inkanyana. In March a convoy was cut to pieces near Intombi River and Prince Napoleon was killed, but in July the battle of Ulundi broke the power of the Zulu nation and sent Cetewayo a captive to London. Ulundi was the King's kraal and lay in an amphitheatre of hills flanked by two great military kraals. Upon this position the British advanced in hollow square. Halting within a mile of the kraal this imposing force offered battle. Before them were ranged 30,000 dauntless savages armed with assegais, rifles and oval shields of stout or ox hide. Lord Chelmsford's object was to draw them on to  the square and a score of mounted irregulars were accordingly sent forward. The lure was a success. Enraged at the taunts of this handful of men, the Zulus began to advance. The enemy extended their formation so that they might envelop and crush the square. Like the waves of a troubled sea, they rolled across the plain, chanting their war song until the air reverberated with the wild weird music which none having heard before can ever forget. A tempest of lead and iron received them, and the shriek of shell mingled with their death cry. If for a moment they wavered or fall back it was only to come on once more with fierce and dauntless stride. But courage was vain against that quadruple line of steel, to approach which was certain death. One chief, more daring or skilled than the rest, dashed his warriors upon the right rear angle of the square and threatened a hand to hand fight - bayonet against assegai. But the guns were soon at work and rolled them back under a storm of shrapnel. At last the savage hordes began to waver. "Go at them Lowe," was the order, and Drury-Lowe led his lancers out of the square at a gallop. An ambush checked their charge and emptied many a saddle. Another moment and lance and sabre pierced and rent the black mass. Yet the fight went on until the King's Dragoons and a flying column advanced and drove the stubborn remnant of the enemy into the hills and gave Ulundi to the flames. From this blow the Zulus, once the masters of South Africa, have never recovered.  Text by William Maxwell 1902.

 

 

 

SHOWCASE PRODUCT

EDITIONS

Signed limited edition of 500 prints. Price : £110

ARTIST
Nicolas Trudgian



Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

You can see more prints by Nicolas Trudgian by clicking here.

Back From Normandy by Nicolas Trudgian

Normandy Special - £50 off until July 12th!

Like the Messerschmitt 109, its great adversary throughout almost six years of aerial combat, the Spitfire was a fighter par excellence. Good as many other types may have been, these two aircraft became symbols of the two opposing air forces they represented. Their confrontation, which began in 1940 during the Battle of Britain, continued without interruption until the last days of World War Two. From an air force teetering on extinction in the dark days of 1940, by the summer of 1944 the pilots of RAF Fighter Command had fought their way back to become top dogs. And when the invasion of northern France came, they swept over the beaches in force, cutting deep into enemy occupied territory, hammering the enemy in the air and on the ground. Key to this air superiority was the supreme performance of the Spitfire, its ability to out-fly the Luftwaffes best, and the wily leadership of the pilots who had survived the early air battles of the war. Among the best was 26 year old Pete Brothers, by 1944 a highly successful and experienced fighter pilot commanding his own Wing. Having fought through the battles of France and Britain, now with a clutch of air victories to his credit, in 1944 he took command of first the Exeter Wing, and then the Culinhead Wing, ideally placed to support the coming invasion of Normandy. Nick Trudgians striking painting recreates a typical scene as Mk IX Spitfires of 126 Squadron, led by Wing Commander Pete Brothers flying his Mk V11 Spitfire wearing high altitude paint scheme, race back to base at RAF Culinhead after a low-level attack on enemy transport in Normandy. The Culinhead Spitfire Wing flew constant armed Rhubarb attacks in support of the invasion from D-Day - June 6 1944 - till the first improvised strips were established in France a few weeks following the invasion. This beautiful aviation print, contrasting the frenetic pace of war with a restful English coastal landscape, evokes the memory of a legendary fighter aircraft that, flown by gallant pilots, helped change the course of history. Prints are signed by Pete Brothers and two other pilots who flew Spitfires in combat during World War II.

Signed by Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

DETAIL IMAGES





EXTRAS

As a special treat for collectors of Nicolas Trudgian's work, and aviation art collectors in general, we have made this print available for a limited time - until 12th July - with £50 off the usual price.

You can see more great deals on Normandy related prints by clicking here.

Don't forget this print is signed by :
Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

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