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Historical prints of the Battle of Culloden, last battle
fought on British soil. Military art prints by military artists showing
Battle of Culloden from different aspects. Military prints published by
Cranston Fine Arts.
After the battle of Falkirk, the
Jacobite army marched towards Inverness closely followed by the Duke
of Cumberland's English army. On 16th April 1746, the Duke forced a
confrontation at Culloden Moor. The Jacobite army were outnumbered and
outmaneuvered by Cumberland's army and when they turned to flee they
were cut down by the Royal Cavalry. The Duke earned the nickname the
Butcher because of his ruthless slaughter of the Jacbites at Culloden
Moor.
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Culloden, End of the 45 by Mike Shaw.
With the Highland charge across the wide expanse of Culloden Moor easily repelled by the government army and the enemy advancing to the right. The Pretender, Prince Charles, hangs his head in concession as the realisation dawns on the Jacobite troops that defeat has been thrust upon them by their own command.
Signed limited edition of 1150 prints. Image size 25 inches x 27 inches (64cm x 69cm). Price £95.00
Limited edition of 50 artist proofs. Image size 25 inches x 27 inches (64cm x 69cm). Price £135.00
Limited edition of 50 giclee canvas prints. Image size 36 inches x 28 inches (91cm x 71cm). Price £590.00
Limited edition of 50 giclee canvas prints. Image size 30 inches x 24 inches (76cm x 61cm). Price £460.00
Original painting by Mike Shaw. Massive Saving! Was £7200. Size 40 inches x 30 inches (102cm x 76cm). Price £4600.00
Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00
ITEM CODE DHM1247
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Culloden the Aftermath by Brian Wood.
This is my personal interpretation of the events immediately following the Battle of Culloden. There is no intention to depict either the shores of LochNam-Uarnh, the Highlands, glens or castles with geographic accuracy. Instead I have tried to portray the scenes following the first 3 days of the battle, the escape of Bonnie Prince Charlie, the destruction and brutality wreaked upon the Highlands and the real sufferers, women and the innocent. 1 . The battlefield scene represents the time from plundering and butchering the wounded to when the ordinary people were allowed on to collect their dead. In the main central figure I have tried to impart a feeling of stoic dignity in the face of an uncertain future 2. The top section represents the form of Prince Charles. Despite the flames and carnage of Culloden, he is firmly supported in the hand of his Jacobite faithful to his safe exile aboard a French warship. Being mindfull that Clan tartans were not in common usage as uniforms of war at the time, only one tartan has been represented as such, that of the Royal Stewart, and that only to signify Charles claim to the thrones of England and Scotland. With his leaving, the sett fades as does he and his ambition. The burning, smouldering tartans signify the proscription of tartans, kilts, plaids etc by Westminster to discourage further rebellion. 3. With the Clans and their regiments broken, neither the natural barrier of the Highlands nor the great chiefs castles would prevent the poison of Culloden seeping into every glen or the fury of Cumberlands dragoons plundering at will. This is represented in the lower section. Armed with sword, manacles and the noose, these, Cumberlands most pitiless embarked on an orgy of murder, rape and pillage. The abyss of prison or exile awaited those suspected of Jacobite sympathies, the gallows for more serious resistance. Battles are fought and won, or lost, as all battles are, but Cullodens aftermath changed Scottish Highland society forever, ushering in a long period of suffering. This painting is my humble attempt to interpret that tragic period.
Open edition print. Image size 25 inches x 17 inches (64cm x 43cm). Price £45.00
Limited edition of 50 artist proofs. Image size 25 inches x 17 inches (64cm x 43cm). Price £85.00
Limited edition of 200 giclee canvas prints. Image size 40 inches x 30 inches (102cm x 76cm). Price £590.00
Limited edition of 200 giclee canvas prints. Image size 36 inches x 26 inches (91cm x 66cm). Price £500.00
ITEM CODE VAR0316
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Battle of Culloden by Mark Churms.
Icy rain adds its misery to the bitter conflict on Drumossie Moor. In the shadow of the Black Isle, two English ships on the waters of the Moray Firth, await the outcome of the decisive battle. Pounded by Cumberlands gunners and raked by steady musketry, the Princes brave men can make no headway. Although the Irish and French regulars refuse to give ground, the Jacobite lines gradually disintegrate. Tired, cold and hungry men flea past Culloden House for the relative safety of Inverness. On the Scottish right the Argyll Militia, supported by Hawleys Dragoons, tear down the walls of the Culwiniac and Culchunaig enclosures in an outflanking attack. Avochies men offer some resistance but Major Gillies McBean stands alone on the breach. He cuts down more than a dozen Argylls, including Lord Robert Kerr, who lies mortally wounded, but his foes are too many. The hero eventually falls to a vicious cut to the forehead, his thigh bone is also broken. Despite the cries of a mounted officer to save that brave man, the major is ruthlessly bayonetted, his back against the wall. The victory is complete and nothing more can be done. In the distance, the Young Pretender is forced to abandon the field and Scotlands hope of claiming the British Throne.
Open edition print. Image size 30 inches x 14 inches (76cm x 36cm). Price £45.00
Limited edition of 50 artist proofs. Image size 30 inches x 14 inches (76cm x 36cm). Price £135.00
Artist signed edition print. Image size 12 inches x 5 inches (31cm x 13cm). Price £18.00
Original painting by Mark Churms. Image size 78 inches x 46 inches (200cm x 117m). Price £15000.00
Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00
ITEM CODE DHM0254
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Battle of Culloden by Brian Palmer.
The Jacobite charge which broke through the ranks of Barrells regiment is counter charged by four British regiments including the 48th Legoniers regiment.
Signed limited edition of 1150 prints. Image size 25 inches x 15 inches (64cm x 38cm). Price £95.00
Limited edition of 50 artist proofs. Image size 25 inches x 15 inches (64cm x 38cm). Price £135.00
Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00
Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00
Restricted edition of individually produced mugs, exclusively available from Cranston Fine Arts. - Single mug only. Standard size earthenware mug, produced in the UK.. Price £12.00
ITEM CODE DHM1056
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The Lone Piper by David Rowlands.
A lone Jacobite piper plays a last farewell to fallen comrades.
Signed limited edition of 1000 prints. Image size 24 inches x 15 inches (61cm x 38cm). Price £95.00
Limited edition of 50 artist proofs. Image size 24 inches x 15 inches (61cm x 38cm). Price £135.00
Limited edition of 50 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £590.00
Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00
ITEM CODE DHM0356
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Broadsword Charge on Brown Bess by Chris Collingwood.
Camerons and Stuarts attack the centre and flank of Barrells Regiment (4th Foot) at the Battle of Culloden.
Signed limited edition of 850 prints. Image size 25 inches x 16.5 inches (64cm x 42cm). Price £95.00
Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00
ITEM CODE DHM0668
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The Battle of Culloden by Richard Simkin.
The Somerset Light Infantry at the Battle of Culloden during the Jacobite rising of 1745 to 1746.
Open edition print. Special Promotion : This print is HALF PRICE for a limited time only! Image size 16 inches x 12 inches (41cm x 31cm). Price £16.80
ITEM CODE DHM0180
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Battle of Culloden.
Reprint of coloured lithograph originally published by Laurie and Whittle
Open edition print. Special Promotion : This print is HALF PRICE for a limited time only! Image size 17 inches x 12 inches (43cm x 31cm). Price £16.80
ITEM CODE VAR0436
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Battle of Culloden by Brian Palmer
The Jacobite charge which broke through the ranks of Barrells regiment
is counter charged by four British regiments including the 48th Legoniers regiment.
Culloden, End of the
45 by Mike Shaw With the Highland charge across the wide expanse of
Culloden Moor easily repelled by the government army and the enemy
advancing to the right. The Pretender, Prince Charles, hangs his head in
concession as the realisation dawns on the Jacobite troops that defeat
has been thrust upon them by their own command.
Culloden the Aftermath by Brian Wood
This superb Master piece, shows through the eyes and views of Brian Wood,
the events leading up to and after the battle of Culloden the last battle fought
in British soil. The Magnificent Original Oil painting is now offered for
sale, Oil On Canvas, Price £20,000 THE
TEXT PRINTED BELOW THE IMAGE.This is my personal interpretation of the events
immediately following the Battle of Culloden. There is no intention to depict
either the shores of Loch-Nam-Uamh, the highlands, glens or castles with
geographic accuracy. Instead I have tried to portray the scenes following the
first 3 days of battle, the escape of Bonnie prince Charlie, the destruction and
brutality wreaked upon the Highlands and the real sufferers, women and the
innocent.
1. the battlefield scene represent the time from plundering and
butchering the wounded to when the ordinary people were allowed on to collect
their dead. In the main central figure I have tried to impart a feeling of stoic
dignity in the face of an uncertain future.
2. The top section represents the form of Prince
Charles. despite the flames and carnage of Culloden, he is firmly
supported in the hand of his Jacobite faithful to his safe exile
aboard a French warship. being mindful than Clan tartans were not in
common usage as uniforms of war at the time, only one tartan has been
represented as such, that of Royal Stuart, and that only signify
Charles claim to the thrones of England and Scotland. With his
leaving, the set fades as does he and his ambition. The burning,
smoldering tartans signify the proscription of tartans. kilts, plaids
etc by Westminster to discourage further rebellion.
3. With the Clans and their regiments
broken, neither the natural barrier of the Highlands nor the great chiefs
castles would prevent the poison of Culloden seeing into every glen or the fury
of Cumberland's Dragoons plundering at will. This is represented in
the lower section, Armed with the sword and the noose, these Cumberland's most
pitiless embarked on an orgy of murder rape and pillage. The abyss of prison or
exile awaited those suspected of Jacobite sympathies, the gallows for more
serious resistance. battles
are fought and won, or lost as all battles are, but Culloden's aftermath changed
Scottish Highland society forever, ushering in a long period of suffering. This
painting is my humble attempt to interpret that tragic period.
Battle of Culloden by Mark Churms
Icy rain adds its misery to the bitter
conflict on Drumossie Moor. In the shadow of the Black Isle, two English ships
on the waters of the Moray Firth, await the outcome of the decisive battle.
Pounded by Cumberlands gunners and raked by steady musketry, the Prince's brave
men can make no headway. Although the Irish and French regulars refuse to give
ground, the Jacobite lines gradually disintegrate. Tired, cold and hungry men
flea past Culloden House for the relative safety of Inverness. On the Scottish
right the Argyll Militia, supported by Hawley's Dragoons, tear down the walls of
the Culwiniac and Culchunaig enclosures in an outflanking attack. Avochie's men
offer some resistance but Major Gillies McBean stands alone on the breach. He
cuts down more than a dozen Argylls, including Lord Robert Kerr, who lies
mortally wounded, but his foes are too many. The hero eventually falls to a
vicious cut to the forehead, his thigh bone is also broken. Despite the cries of
a mounted officer to "save that brave man", the major is ruthlessly
bayonetted, his back against the wall. The victory is complete and nothing more
can be done. In the distance, the "Young Pretender" is forced to
abandon the field and Scotland's hope of claiming the British Throne.
The Lone Piper by David Rowlands
A
lone Jacobite piper plays a last farewell to fallen
comrades.
Broadsword Charge on Brown Bess by Chris Collingwood
Camerons and Stuarts attack the centre and flank of Barrells
Regiment (4th Foot). and the Battle of Culloden
The Battle of Culloden by Richard Simkin
The Somerset Light Infantry at the Battle of Culloden during the
Jacobite rising of 1745 to 1746. |
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