Battle of Culloden
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Historical prints of the Battle of Culloden, last battle fought on British soil. Military art prints by military artists showing Battle of Culloden from different aspects. Military prints published by Cranston Fine Arts.

After the battle of Falkirk, the Jacobite army marched towards Inverness closely followed by the Duke of Cumberland's English army. On 16th April 1746, the Duke forced a confrontation at Culloden Moor. The Jacobite army were outnumbered and outmaneuvered by Cumberland's army and when they turned to flee they were cut down by the Royal Cavalry. The Duke earned the nickname the Butcher because of his ruthless slaughter of the Jacbites at Culloden Moor.

Culloden, End of the 45 by Mike Shaw.

With the Highland charge across the wide expanse of Culloden Moor easily repelled by the government army and the enemy advancing to the right. The Pretender, Prince Charles, hangs his head in concession as the realisation dawns on the Jacobite troops that defeat has been thrust upon them by their own command.

Signed limited edition of 1150 prints. Image size 25 inches x 27 inches (64cm x 69cm). Price £95.00


Limited edition of 50 artist proofs. Image size 25 inches x 27 inches (64cm x 69cm). Price £135.00


Limited edition of 50 giclee canvas prints. Image size 36 inches x 28 inches (91cm x 71cm). Price £590.00


Limited edition of 50 giclee canvas prints. Image size 30 inches x 24 inches (76cm x 61cm). Price £460.00


Original painting by Mike Shaw. Massive Saving! Was £7200. Size 40 inches x 30 inches (102cm x 76cm). Price £4600.00


Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00

ITEM CODE DHM1247

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Culloden the Aftermath by Brian Wood.

This is my personal interpretation of the events immediately following the Battle of Culloden. There is no intention to depict either the shores of LochNam-Uarnh, the Highlands, glens or castles with geographic accuracy. Instead I have tried to portray the scenes following the first 3 days of the battle, the escape of Bonnie Prince Charlie, the destruction and brutality wreaked upon the Highlands and the real sufferers, women and the innocent. 1 . The battlefield scene represents the time from plundering and butchering the wounded to when the ordinary people were allowed on to collect their dead. In the main central figure I have tried to impart a feeling of stoic dignity in the face of an uncertain future 2. The top section represents the form of Prince Charles. Despite the flames and carnage of Culloden, he is firmly supported in the hand of his Jacobite faithful to his safe exile aboard a French warship. Being mindfull that Clan tartans were not in common usage as uniforms of war at the time, only one tartan has been represented as such, that of the Royal Stewart, and that only to signify Charles claim to the thrones of England and Scotland. With his leaving, the sett fades as does he and his ambition. The burning, smouldering tartans signify the proscription of tartans, kilts, plaids etc by Westminster to discourage further rebellion. 3. With the Clans and their regiments broken, neither the natural barrier of the Highlands nor the great chiefs castles would prevent the poison of Culloden seeping into every glen or the fury of Cumberlands dragoons plundering at will. This is represented in the lower section. Armed with sword, manacles and the noose, these, Cumberlands most pitiless embarked on an orgy of murder, rape and pillage. The abyss of prison or exile awaited those suspected of Jacobite sympathies, the gallows for more serious resistance. Battles are fought and won, or lost, as all battles are, but Cullodens aftermath changed Scottish Highland society forever, ushering in a long period of suffering. This painting is my humble attempt to interpret that tragic period.

Open edition print. Image size 25 inches x 17 inches (64cm x 43cm). Price £45.00


Limited edition of 50 artist proofs. Image size 25 inches x 17 inches (64cm x 43cm). Price £85.00


Limited edition of 200 giclee canvas prints. Image size 40 inches x 30 inches (102cm x 76cm). Price £590.00


Limited edition of 200 giclee canvas prints. Image size 36 inches x 26 inches (91cm x 66cm). Price £500.00

ITEM CODE VAR0316

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Battle of Culloden by Mark Churms.

Icy rain adds its misery to the bitter conflict on Drumossie Moor. In the shadow of the Black Isle, two English ships on the waters of the Moray Firth, await the outcome of the decisive battle. Pounded by Cumberlands gunners and raked by steady musketry, the Princes brave men can make no headway. Although the Irish and French regulars refuse to give ground, the Jacobite lines gradually disintegrate. Tired, cold and hungry men flea past Culloden House for the relative safety of Inverness. On the Scottish right the Argyll Militia, supported by Hawleys Dragoons, tear down the walls of the Culwiniac and Culchunaig enclosures in an outflanking attack. Avochies men offer some resistance but Major Gillies McBean stands alone on the breach. He cuts down more than a dozen Argylls, including Lord Robert Kerr, who lies mortally wounded, but his foes are too many. The hero eventually falls to a vicious cut to the forehead, his thigh bone is also broken. Despite the cries of a mounted officer to save that brave man, the major is ruthlessly bayonetted, his back against the wall. The victory is complete and nothing more can be done. In the distance, the Young Pretender is forced to abandon the field and Scotlands hope of claiming the British Throne.

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Limited edition of 50 artist proofs. Image size 30 inches x 14 inches (76cm x 36cm). Price £135.00


Artist signed edition print. Image size 12 inches x 5 inches (31cm x 13cm). Price £18.00


Original painting by Mark Churms. Image size 78 inches x 46 inches (200cm x 117m). Price £15000.00


Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00

ITEM CODE DHM0254

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Battle of Culloden by Brian Palmer.

The Jacobite charge which broke through the ranks of Barrells regiment is counter charged by four British regiments including the 48th Legoniers regiment.

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Battle of Culloden by Brian Palmer   The Jacobite charge which broke through the ranks of Barrells regiment is counter charged by four British regiments including the 48th Legoniers regiment. 

Culloden, End of the 45 by Mike Shaw   With the Highland charge across the wide expanse of Culloden Moor easily repelled by the government army and the enemy advancing to the right. The Pretender, Prince Charles, hangs his head in concession as the realisation dawns on the Jacobite troops that defeat has been thrust upon them by their own command.

Culloden the Aftermath by Brian Wood  This superb Master piece, shows through the eyes and views of Brian Wood, the events leading up to and after the battle of Culloden the last battle fought in British soil.  The Magnificent Original Oil painting is now offered for sale,  Oil On Canvas, Price £20,000  THE TEXT PRINTED BELOW THE IMAGE.This is my personal interpretation of the events immediately following the Battle of Culloden. There is no intention to depict either the shores of Loch-Nam-Uamh, the highlands, glens or castles with geographic accuracy. Instead I have tried to portray the scenes following the first 3 days of battle, the escape of Bonnie prince Charlie, the destruction and brutality wreaked upon the Highlands and the real sufferers, women and the innocent.    1. the battlefield scene represent the time from plundering and butchering the wounded to when the ordinary people were allowed on to collect their dead. In the main central figure I have tried to impart a feeling of stoic dignity in the face of an uncertain future.

2. The top section represents the form of Prince Charles. despite the flames and carnage of Culloden, he is firmly supported in the hand of his Jacobite faithful to his safe exile aboard a French warship. being mindful than Clan tartans were not in common usage as uniforms of war at the time, only one tartan has been represented as such, that of Royal Stuart, and that only signify Charles claim to the thrones of England and Scotland.  With his leaving, the set fades as does he and his ambition. The burning, smoldering tartans signify the proscription of tartans. kilts, plaids etc by Westminster to discourage further rebellion.  3. With the Clans and their regiments broken, neither the natural barrier of the Highlands nor the great chiefs castles would prevent the poison of Culloden seeing into every glen or the fury of Cumberland's Dragoons plundering at will.   This is represented in the lower section, Armed with the sword and the noose, these Cumberland's most pitiless embarked on an orgy of murder rape and pillage. The abyss of prison or exile awaited those suspected of Jacobite sympathies, the gallows for more serious resistance.  battles are fought and won, or lost as all battles are, but Culloden's aftermath changed Scottish Highland society forever, ushering in a long period of suffering. This painting is my humble attempt to interpret that tragic period.

Battle of Culloden by Mark Churms   Icy rain adds its misery to the bitter conflict on Drumossie Moor. In the shadow of the Black Isle, two English ships on the waters of the Moray Firth, await the outcome of the decisive battle. Pounded by Cumberlands gunners and raked by steady musketry, the Prince's brave men can make no headway. Although the Irish and French regulars refuse to give ground, the Jacobite lines gradually disintegrate. Tired, cold and hungry men flea past Culloden House for the relative safety of Inverness. On the Scottish right the Argyll Militia, supported by Hawley's Dragoons, tear down the walls of the Culwiniac and Culchunaig enclosures in an outflanking attack. Avochie's men offer some resistance but Major Gillies McBean stands alone on the breach. He cuts down more than a dozen Argylls, including Lord Robert Kerr, who lies mortally wounded, but his foes are too many. The hero eventually falls to a vicious cut to the forehead, his thigh bone is also broken. Despite the cries of a mounted officer to "save that brave man", the major is ruthlessly bayonetted, his back against the wall. The victory is complete and nothing more can be done. In the distance, the "Young Pretender" is forced to abandon the field and Scotland's hope of claiming the British Throne.

The Lone Piper by David Rowlands   A lone Jacobite piper plays a last farewell to fallen comrades.

Broadsword Charge on Brown Bess by Chris Collingwood  Camerons and Stuarts attack the centre and flank of Barrells Regiment (4th Foot). and the Battle of Culloden

The Battle of Culloden by Richard Simkin   The Somerset Light Infantry at the Battle of Culloden during the Jacobite rising of 1745 to 1746.
 

 

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