Retreat From Moscow

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Napoleon's First Empire Army after the Battle of Moscow, start their long retreat. Historical military prints of Napoleon's Retreat shown in military art prints.

The retreat from Moscow began on the 19th October 1812, Forced by the Russians to take the Northern route, the French grand army had to endure terrible hardship and to fight a retreat on both flanks and the rear. the first Snow began on the 4th of November in the bitter cold the army reached Smolensk on November 9th. on the 19th napoleon and his army reach Orsha, with only 25,000 effective fighting force.  the Russian held the bridge crossing the Berezina at Borisov and on November 26th Marshal Nicolas Oudinot with the French II corps. forced a crossing at Studenka.  teh French deceived the Russians until the last minute of the crossing, The French managed to cross under attacks on the 27th and 28th. The bridges were kept open until the 29th by Claude Victor's IX corps. This corps. repulsed a Russian attack before, having to burn the bridges on the 29th  but a total of 10,000 French troops did not manage to get to the bridge s in time and were abandoned.  They reached the Vilna on December 9th and the Niemen River on December 13th, Here they crossed the frozen river and marshal Ney was the last French man to cross.  The Russians halted there pursuit of the French at the Niemen River.   The Russians had lost nearly as many men in the pursuit of the French . A Total of 250,000 men as well as a unknown number of Cossacks.  Compared to the French loses of 400,000 men ,1,000 cannons and 175,000 horses.

On the March From Moscow by John Laslett Potts.

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Open edition print. £25.00

On the March From Moscow by John Laslett Potts.

The remnants of the French Grand Army retreat from Moscow back to France in the harsh Russian winter. Only a few thousand reach France from an army of over 137,000.

Open edition print. Image size 21 inches x 14 inches (53cm x 36cm). Price £25.00

ITEM CODE DHM0023

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Marshal Ney Supporting the Rearguard During the Retreat from Moscow by Adolphe Yvon.

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Open edition print. SOLD
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Marshal Ney Supporting the Rearguard During the Retreat from Moscow by Adolphe Yvon.

SOLD OUT. This sold out print will not be republished.

Open edition print. Image size 24 inches x 15 inches (61cm x 38cm). Price £

ITEM CODE DHM0640

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Napoleons Retreat From Moscow by Adolf Northern.

Open edition print. Image size 30 inches x 20 inches (76cm x 51cm). Price £48.00


Open edition print. Image size 24 inches x 15 inches (61cm x 38cm). Price £40.00


Open edition print. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


Limited edition of 200 giclee canvas prints. Image size 40 inches x 30 inches (102cm x 76cm). Price £465.00


Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £300.00


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ITEM CODE DHM0318

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Burning the Eagles on the Retreat From Moscow by Richard Caton Woodville.

Showing the burning of the Eagles and Standards with Napoleon and staff looking on before crossing the Ber and out of Russia with the remains of his once grand army.

Open edition print. Image size 24 inches x 15 inches (61cm x 38cm). Price £40.00


Open edition print. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


Limited edition of 200 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £500.00


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ITEM CODE DHM0599

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On the March From Moscow by John Laslett Potts

The remnants of the French Grand Army retreat from Moscow back to France in the harsh Russian winter. Only a few thousand reach France from an army of over 137,000.

 Marshal Ney Supporting the Rearguard During the Retreat from Moscow by Adolphe Yvon

Burning the Eagles on the Retreat From Moscow by Caton Woodville  Showing the burning of the Eagles and Standards with Napoleon and staff looking on before crossing the Ber and out of Russia with the remains of his once grand army.

 

 

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ARTIST
Featured Artist - Ivan Berryman



Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception...

New Dambusters Paintings, Prints and Drawings!



A brand new series of releases featuring the aircraft and airmen of the Dambusters Raid.

This superb new collection of aviation art shows may of the famous events of the raids, but also shows some of the lesser known aircraft and details - the bomber that was so low that the tallboy bomb was ripped from the aircraft by a high wave (above), or the below treetop route to the target taken by one of the bombers, or the trains that were shot up by the gunners of the Lancasters on their way to the dams.

Click here to see the full collection of oil paintings, prints and pencil drawings!

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