Battle of Alma

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The Battle of the Alma, crossing the Alma river during the Crimean War. Military art prints of the Scots Guards, Blackwatch, Royal Green Jackets and other British regiments involved in the Battle of the Alma, published by Cranston Fine Arts.

BATTLE OF ALMA  20th September 1854.The Crimean war fought by Britain, France and Turkey against Russia. On the 14th September a British-French force of 26,000 men landed northwest of the Crimean peninsula. Began there advance on the Russian naval base of Sebastopol. This force was commanded jointly by Britain and France, with the British Commander being General Lord raglan and the French Commander Marshal Armand Saint-Arnaud.  There advance was blocked by a Russian Force under the command of Prince Aleksandr Menshikov at the Alma River. The British and French Forces attacked the Russians on the Heights overlooking the Alma river, with the British baring most of the fighting. The Russians were driven from their positions on the Heights.  The Russian Losses were 1200 Killed and more than 4,000 captured. The Allied losses were 3,000 British  and 1,000 French casualties.  Soon after the Fighting the French Commander died of Cholera and the French Command passed to General Francois Canrobert.

Grenadier Guards at Alma  Battalions of the 3 regiments of Guards, under General Bentinck, formed a brigade in the First or Duke of Cambridge's Division. At the Alma, the Guards advanced in support of the Light Division in the attack on the Kourgané height on the left, and contributed largely to the victory by driving the Vladimir regiment from its earthworks on the hill. During all the labours of the sege, the trench work, and the horrors of the winter, the Grenadiers took their part and, on October 18th 1854, had the misfortune to lose their commanding officer, Colonel Hood, who was struck by a round shot as he watched their work. 

Scots Guards Saving the Colours at Alma by Lady Elizabeth Butler.

Depicting Captain Lindsay of the Scots Guards advancing with the colours which were shot through and staff broken. By this example he helped to restore order after a Russian onslaught had put the regiment in disorder.

Open edition print. Image size 30 inches x 19 inches (76cm x 48cm). Price £51.00


Open edition print. Image size 21 inches x 14 inches (53cm x 36cm). Price £43.00


**Open edition print. (Two copies reduced to clear) Image size 21 inches x 14 inches (53cm x 36cm). Price £30.00

ITEM CODE DHM0048

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Trainbusters by Nicolas Trudgian. (B)

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Alma Forward the 42nd by Robert Gibb.

The Black Watch advance up the slopes of the hills overlooking the River Alma, defeating the Russian defenders. A British Victory in the Crimean Campaign.

Open edition print. Image size 30 inches x 18 inches (76cm x 46cm). Price £51.00


Open edition print. Image size 21 inches x 14 inches (53cm x 36cm). Price £38.00


**Open edition print. (1 reduced to clear) Image size 30 inches x 18 inches (76cm x 46cm). Price £24.00

ITEM CODE DHM0012

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Buy With This For Only : £82

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The 33rd (Duke of Wellingtons) Regiment storming the Great Redoubt at the Battle of Alma, 20th September 1854 by David Rowlands.

Signed edition print. Image size 23 inches x 15 inches (58cm x 38cm). Price £70.00


Limited edition of 50 artist proofs. Image size 23 inches x 15 inches (58cm x 38cm). Price £95.00


Limited edition of 200 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £500.00


Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £390.00

ITEM CODE DHM0546

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The Battle of Alma by Felix Philippoteaux.

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Open edition print. £51.00
Open edition print. £14.00

The Battle of Alma by Felix Philippoteaux.

The Black Watch is shown with the Coldstream Guards and Scots Guards in the distance advancing up from the river Alma to attack the Russian forces at the top of the surrounding hills.

Open edition print. Image size 30 inches x 18 inches (76cm x 46cm). Price £51.00


Open edition print. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00

ITEM CODE DHM0090

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Comrades by Robert Gibb.

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Sergeant Luke OConner Winning the Victoria Cross at the Battle of Alma by L.W. Desanges.

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Open edition print. £48.00
**Open edition print. (Three copies reduced to clear) £30.00

Sergeant Luke OConner Winning the Victoria Cross at the Battle of Alma by L.W. Desanges.

Although shot in the breast, bravely carries forward one of the colours at the Battle of Alma, 20th September 1854.

Open edition print. Image size 23 inches x 17 inches (58cm x 43cm). Price £48.00


**Open edition print. (Three copies reduced to clear) Image size 23 inches x 17 inches (58cm x 43cm). Price £30.00

ITEM CODE DHM0224

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Fording the Alma by Lewis H. Johns.

The second battalion the Rifle Brigade preparing the way across the River Alma. 

Open edition print. Image size 24 inches x 16 inches (61cm x 41cm). Price £43.00


Open edition print. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


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Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £390.00


**Open edition print. (6 copies reduced to clear) Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00

ITEM CODE DHM0488

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The Light Division Carrying the Heights of Alma, Crimea 1854 by Harry Payne.

From Battles of Her Majestys Reign, Published 1890.

Special edition of 25 reprints. Paper and Image size 12 inches x 9 inches (31cm x 23cm). Price £18.00


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ITEM CODE VAR0640

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Original antique print c.1890. £75.00

Battle of the Alma, 1854 by Henry Dupray (P)

Original antique print c.1890. Image size 12 inches x 8 inches (31cm x 20cm). Price £75.00

ITEM CODE HD0029

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The Wounded Coldstream Guardsman by Alfred D Prades.

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Open edition print. £14.00
Original painting by Alfred D Prades. £2500.00

The Wounded Coldstream Guardsman by Alfred D Prades.

Open edition print. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


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ITEM CODE VAR0200

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Scots Guards Saving the Colours at Alma by Lady Butler  Depicting Captain Lindsay of the Scots Guards advancing with the colours which were shot through and staff broken. By this example he helped to restore order after a Russian onslaught had put the regiment in disorder.

 Alma Forward the 42nd by Robert Gibb,The Black Watch advance up the slopes of the hills overlooking the River Alma, defeating the Russian defenders. A British Victory in the Crimean Campaign.

The 33rd (Duke of Wellingtons) Regiment storming the Great Redoubt at the Battle of Alma, 20th September 1854 by David Rowlands

The Battle of Alma by Felix Philippoteaux  The Black Watch is shown with the Coldstream Guards and Scots Guards in the distance advancing up from the river Alma to attack the Russian forces at the top of the surrounding hills.

Sergeant Luke OConner Winning the Victoria Cross at the Battle of Alma by L.W. Desanges  Although shot in the breast, bravely carries forward one of the colours at the Battle of Alma, 20th September 1854.

Fording the Alma by Lewis H. Johns  The second battalion the Rifle Brigade preparing the way across the River Alma. 

 

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £420

Merlin Roar by Anthony Saunders Price : £80

Hurricane Patrol by Graeme Lothian Price : £150

Holding the Line - The Battle of Britain by Nicolas Trudgian Price : £150

Front Line Hurricanes by Robert Taylor Price : £220

ARTIST
Featured Artist - Robert Taylor



The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

Battle of Britain Hurricane Signature Prints



Save £180 on this specially selected pack of Battle of Britain Hurricane aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Merlin Roar by Anthony Saunders,
Hurricane Patrol by Graeme Lothian,
Holding the Line - The Battle of Britain by Nicolas Trudgian
and
Front Line Hurricanes by Robert Taylor.

In all, the prints have 12 different signatures of pilots and aircrew related to Hurricanes during the Battle of Britain.

In particular, Front Line Hurricanes by Robert Taylor features 6 signatures of now sadly deceased pilots - some of them a rarity in print signings.

Click the 'Special Offer Pack' Edition to order.

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